john donne as a love poet

 

john donne as a love poet 

John Donne as a Love Poetry

John Donne is a well-known love poet. As a lover and analyst of his own experience, his love poems reflect his profound inner moods. Donne was reported to be a regular visitor of females. He had relationships and friendships with several women. He fell in love with Anne More and married her after eloping with her. For his devotion, he was imprisoned. He became a renowned love poet as a result of his love experiences. As a result, his love poems are focused on his own experiences rather than on traditions.

John Donne's love poetry represents his early personal experiences. John Donne's focus as a love poet has been on worldly love. He talks about his beloved's company somewhere; somewhere, he prefers love to anything else in life; and somewhere, he talks about women's unfaithfulness. Eventually, however, he changed his mind. The "Divine Poems" collection is a reflection of spirituality. Although John Donne was not technically developed as a love poet, he was lyrically mature enough to capture his audience' attention. It's because he was an extremely witty individual. Furthermore, John Donne's "Love Poems" are universal in nature. Furthermore, each poem sheds light on love relationships from the viewpoint of a male.

Donne's love poems express a wide spectrum of emotions, from sexual lust to spiritual love. They convey a range of emotions, from cynicism and scorn to faith and acceptance. His feelings are bookish, yet they are based on his actual experiences. Donne produced love poetry based on deep reality, rejecting the Petrarchan love tradition.

Donne's love poetry has a sardonic tone to it. His skepticism stems primarily from women's tendency to be disloyal. For example, Donne says in “Go Catch a Falling Star’’ that women are rarely loyal to their loves. Finding a faithful girl is as tough as finding a falling star. If he finds one, she is altered as soon as he approaches her beloved, much as the falling star whose light is fleeting. When one of his loved ones betrays him, Donne grows cynical.

Donne's poetry also contains sensuous love. He finds physical love to be relaxing and peaceful, rather than a tumultuous relationship between two loves. Love is a perfect mix of spirit and bodily connection. Valediction: Of Weeping and Valediction: Forbidden are two of his poems. Mourning is centered on the spiritual tranquilly of love. Love, he believes, is necessary for survival. In his alone, he is filled with a positive but sensual tranquilly whenever he thinks about his beloved. As a result, most of his poetry is solely about conjugal love.

Physical love is also prevalent in Donne's poetry. Many of his writings combine physical and platonic love in a unique way. He claims that physical love is required for love to be consummated. The current 'chain of being' idea relates to Donne's belief that spiritual love can be achieved through physical love. Angels, it is assumed, could have pure spiritual love that was uncontaminated by the material. Because man is both divine and animal, the spiritual realm is only accessible through sexuality.

A Final Thought: Forbidden Mourning is a good example of this state, in which the spirits of two lovers cannot be parted, even though they are physically separated.

In his poem Ecstasy, he persuades the audience that physical and spiritual love are mutually required. He claims that spiritual love is impossible to achieve without the union of two bodies.

The metaphysical element in Donne's love poetry is another distinctive feature. Donne does not emphasize beauty or the aesthetic component of desire. His poetry are sensual and surreal in nature. He explores all aspects of passion, from the most basic to the most extreme. He would have been one of the world's greatest love poets if he had a stronger sense of beauty and emotional intensity. His philosophical wit casts doubt on his authenticity and sincerity.

Donne's poetry is lacking in tenderness and sentiment. His scholasticism, game of building bizarre conceits, hyperboles, and paradoxes reveal his philosophical strain. Donne employs the circle as a typical symbol of perfection and love intensity. Love is portrayed as growing rings of water agitated by a stone in his poem Love's Growth. The lover's emotions mimic the Ptolemaic universe's concentric circles. Love, like God's creation, is limitless.

Donne's approach is pragmatic rather than utopian. He understands the flaws of the flesh, the pleasures of sex, and the delights of secret rendezvous. He does, however, attempt to build a connection between the body and the soul. True love has nothing to do with the physical body; it is a relationship between two souls. As in A Valediction: Forbidding Mourning, physical connection may not be required. However, the author considers bodily union to be important in another poem, The Relic. However, such inconsistencies do not diminish the value of his poetry. They merely serve to underline the contrast between the body's demands and the soul's need.

Despite the realistic touches and descriptions in the love poems, Donne does not go to the trouble of describing the beauty and appeal of any aspect of the feminine body. He discusses the influence on the lover's heart instead. He gives himself permission to wander over certain areas of female anatomy here and there, but he does not dwell on the allure of a lovely mistress's lips, eyes, teeth, or cheeks, as he did in earlier works. It's very astonishing that a poet who enjoys sex should resist the impulse to focus on the physical structure or allure of any aspect of the feminine body.

 

To conclude, we can say that Donne is considered one of the best English love poets. He is, in reality, the only complete amorist.