title of things fall apart |
Title of Things
Fall Apart
Things break
wrong in "Chinua Achebe," a novel whose title encapsulates the
work's core premise. The title "things break apart" foreshadows the
tragedy that occurs at the novel's conclusion. The story illustrates both an
individual's sorrow and a society's tragedy.
The title of Achebe's novel is derived from William Butler Yeats'
1921 "visionary" poem "the second coming," which
Achebe heavily references in the epigraph. The following are the crucial lines:
"Turning and turning …… anarchy is loosed upon the world."
Years speaks about the "old" order collapsing and
being replaced by a "new" one, which elicits a mixture of
horror and curiosity in him. As a result, the title pays homage to Yeats'
mysticism.
The fundamental theme of the poem is change, and it argues that
society falls apart due to a lack of cohesiveness that binds its citizens
together. There are numerous parallels and similarities between the novel and
the poem. The major idea of the poem serves as the basis for the title of China
Achebe's novel.
The epigraph's
specifics are quite important to "Things Fall Apart" in
general. The poem begins with the picture of a "falcon" flying
away from its human master's earshot (falconer). The falcon is said to be
"spinning" in a "widening gyre" until it can't "hear
the falconer any more." The idea of a spiral with its circular
movement that extends outward as it rises comes to mind when we think of the
"widening gyre." Years frequently employs the image of a gyre
to represent history's progress toward chaos and instability. It also conjures
up the notion of a planet spinning outward, unable to recall its beginning.
Every beginning has an end, and every end has a beginning in this circular flow
of history and time.
The 'falcon'
represents the Igbo people, and the 'falconer' who loses his connection
with them is their religion and culture, according to "Things Fall
Apart." Christianity stokes the fire between people and their ideas,
leading them to desert their kin and, eventually, 'Things Fall Apart'
when this "center
cannot hold".
The poem and Achebe's novel both depict the effects of a lack of unity within their civilizations, and both are founded on a calamitous transition. In "The Second Coming," Yeats discusses the horrific events that occurred in his society at the time, such as World War I and the Russian Revolution. Instead of unifying, Europeans have turned against one another, resulting in conflict and destruction. . When the white men arrived in Okonkwo's community, the villagers turned on each other, just as they did in the novel. With the infiltration of these new European ideas into Igbo society, the old traditional pattern of society begins to falter.
The above briefly explains why Chinua Achebe chose the title "Things Fall Apart."
The title alludes to the reality that things break apart when they are out of balance, because without balance, order is lost. "Things Fall Apart" refers to the loss of order due to a lack of adequate balance. "Things Fall Apart" is a metaphor for change on a variety of levels, including societal, political, personal, and religious. Things break apart at all of these levels due to external pressures as well as internal tensions. "Things Fall Apart" is about a family that used to think, speak, and share as one. Obierika locates the sense of things going apart in his allegation of the white guy.
"The white man is
very clever. He came quietly …. our clan can no longer act like one."
The British administration's knife,
which was supporting the missionary drive, fell on the culture of the Igbo
people, slicing it into pieces, causing it to bleed and die. The invasion of
external forces into Igbo territory tainted every part of the Igbo people's
pleasant lives. Obierika's comment is very significant
and similar to the title:
"He has put a knife …. we have fallen apart."
Set in this historical
context, Achebe's novel develops the theme of "traditional change"
and offers, as Palmer observes,
" a powerful
presentation of beauty, strength, and validity of traditional life and values
and the disruptiveness of change"
At the end of the book, the organic
society that was described in the first part of the book has become fragmented
and has nearly lost all of its vigor. Robert Mc
Dowell offers:
"Chinua Achebe
creates in this novel a coherent picture of coherence being lost of the tragic
consequences of the African-European collision."
Aside from external influences, Igbo society
disintegrates owing to flaws that reach their apex, or the wide end of the
gyre. Disintegration occurs when a society moves toward the narrow end of the
gyre and begins to come apart for a variety of reasons.
The assassination of Ikemefuna
exemplifies one of the Igbo people's unsatisfactory customs. Those were the
days when ritual killings were frequent. Achebe appears to be saying that such
a ritual will not be permitted to exist by the younger generation by making
Nwoye inwardly rebellious against it.
"...… Nwoye knew that Ikemefuna had been killed, and
something seemed to give way inside him, like the snapping of a tightened
bow."
This quote signals the start of everything
unravelling. Nwoye is described as the "
falcon who cannot hear the falconer." in this chapter. Nwoye's
discourse with Obierika portrays him as "breaking
free "from his father and clan and following in the footsteps
of white missionaries. "I am one of them," Nwoye declares. To Obeirika's question about his father, Nwoye unhappily
replies:
"I do not know, he
is not my father."
Another key factor for Igbo society's
disintegration is the situation of women, who are marginalized in this
community. Women are expected to be seen, but not to be heard. They exclusively
produce foo as a rural workforce, who are reprimanded and punished before
disappearing behind their compound's huts.
Untitled people
have no place in this Igbo community, either. They have been labelled as
outcasts. The Igbo people are plagued by a variety of phobias. They are persons
who believe in superstitions. The entire "old system" of
Umofia continues to exist in a semblance, with its superstitions and practises
founded on ignorance rather than the light of modernity. All of this
contributed to the Igbo community's increasing division.
On an individual level, we have fragmentation as well. Both the
clan and the protagonist, Okonkwo, are caught in a dance of fate. "Things
Fall Apart" begins with Okonkwo at the pinnacle of his renown, which
he achieved by "strong personal achievements," and ends with
his untimely demise. Okonkwo is the Umofia clan's representative. He
shot his wife out of rage. Because he was frightened of becoming weak, he drew
his machete and hacked down Ikemefuna. Then there's Ezeudu's sixteen-year-old
son's murder, which, while being a female crime, carries a lot of punishment
and the ruin of everything Okonkwo has built up, so everything falls apart. "The only course open to Okonkwo was to
flee the clan….he had committed a female crime."
After the atonement of
his crime, Okonkwo returns to Umofia with great hopes. But Umofia has changed
during these years of exile, and Okonkwo soon realizes it when he says:
"Seven years was a
long time ….As soon as he left, someone had risen and filled it"
This passage shows the
constant change of culture, a culture lost in the "widening gyre" and
"centre cannot hold." From this Okonkwo's hopes and dreams
have "fallen apart." Okonkwo says in sadness and
despair:
"Perhaps I have too
long."
Okonkwo has an unyielding
will, and his rashness leads to the disintegration of his family in the form of
a seven-year exile, as well as his murder of the administrator's messenger and,
finally, his irreversible self-punishment by hanging himself. As a tangible
symbol of his civilization, Okonkwo's fall or suicide is unavoidable.
Things fall apart as a result of how
the "new religion" sows seeds of discontent, dissension, and strife
in the tribe, pitting son (Nwoye) against father (Osu), and untitled people
against integrated Igbo. In this context Obeirika
remarked.
"Our men …… have joined his religion and …… uphold his government"
In the same way, the missionary and
the trader are the colonial power's advance guard. Acts of violation against
"traditional" and rural religious beliefs are increasingly on the
rise, resulting in problems of instability and social unrest. "Things fall apart; the centre cannot hold", the
resulting "anarchy," the turmoil in the social and religious
values system, "releases" upon the Igbo world-order, confusion, and
anarchy, as son against father. With the arrival of the missionaries, a new
cycle of the circle begins.
Finally, the novel's title reveals a
great deal. Okonkwo's world has crumbled, figuratively representing the
disintegration of Igbo society. The title is evocative of the subject matter.
With the knife of its governance mixed with missionaries and campaigns, the
external force was successful in breaking the Igbo culture. Religious ideas and
social values are at the "heart" of any community and individual.
This centre was attacked by colonial power and missionaries. According to
Achebe, the "anarchy loosed upon the
world," is the horrors of
imperialism, and "things do fall
apart" in this anarchic scenario.
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